ddrees art

My art work and thoughts

Confluence of Influence Faculty Show 2010

Posted by ddrees on August 1, 2010

Our upcoming faculty show is themed Confluence of Influence. The concept is that we reflect on our strongest artist influences and write about how these are manifested in the works shown.  The show shall be up in the Catonsville Gallery at CCBCMD from August 30 to September 24.

Here is my influence statement, just submitted.

Lots of artists will tell you their best ideas came from beyond, were given. But I need the precious commodities of time and quiet spaces to bring the inspirations to fruition. I do a lot of slow synthesizing. Among my most important influences in the language of image making are Charles Burchfield, William Blake, Rembrandt Van Rijn and Arnold Bittleman. These fellows provide a tradition of notation that can be built upon to maintain meaning.

We are stuck in our bodies but we make trips to transcendent places all the time. We need to reaffirm this and put it in perspective as four-fold vision in works of art, as Blake said, “An eternity in a grain of sand”.  The transcendent is embedded in the actual in works of art.

William Blake’s classical archetypal figures all signify our identity. He embodies multilevel meaning from the particular of the streets of London to the eternal. My Dad quoted “The Tyger “ to me when I was a little child, which made me sit up and take notice. Blake connected verbal and visual as well as anyone ever has.

William Blake from Songs of Innocence and Experience

William Blake from Songs of Innocence and Experience

I saw and was influenced by Charles Burchfield at an early age. His evocative art was a personal inward response to creatures, sounds, weather and temperature of everyday life. His perceptions in the moment with total awareness allowed the connections to the vibrations of the universe to happen.

Charles Burchfield

Charles Burchfield

My college drawing teacher Arnold Bittleman took reality and observation and rendered it with a meaningful line system and a respect for the mark as the creative instant. He synthesized the aesthetics of the West and the East.

Arnold Bittleman Untitled

Arnold Bittleman Untitled

Rembrandt’s inner feelings and introspection were backed up by compositional choices, as in “David and Saul”. He used light to direct the viewer’s gaze and color and texture to set an introspective mood. Yet he worked “naar het leven” so the transcendent and real are connected.

Rembrandt, Saul and David, 1655-60, Mauritshuis, The Hague

Rembrandt, Saul and David, 1655-60, Mauritshuis, The Hague

My short artist’s statement is here. I need to update it sometime soon.

I want to make art that is beautiful, that addresses the viewer’s spiritual needs. Perhaps that is my role—to try to get people to look at the sublime and the beautiful again. I want to create works that show, as Blake said, ‘an infinity in a grain of sand.’ I like the idea of an art that is multi-cultural and multidirectional, connecting then and now, here and there, them, and us into images that show the transitional forms that bind. The more the artist can put into the work as potential meaning, the more the viewer will be able to connect with, no matter where or when.


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